Erre con erre Raymundo.
Erre con erre Rafael.
Retrata recuerdos, rincones, rituales y realidades rotas
que regresan revestidas de sueño.
Mexico, in him, is not a subject.
It is a temperature.
It is not an aesthetic cage.
It is the emotional language from which he dreams.
Mexico is merely the vessel — not one that contains him, but one from which his imagination overflows into every visual form.
And overflow is the correct word.
Everything in his work spills beyond its borders.
The Overflow
